Name: Kelly Center - Kala Farnham - Carole King Tribute with Leah R.G.
Start: 2025-12-27T19:30:00-05:00
Location: Kelly Center

Kelly Center

<h3>Kala Farnham</h3>
“I Feel the Earth Move: The Music of Carole King” is a captivating musical tribute led by the 18th Connecticut State Troubadour, Kala Farnham. Farnham effortlessly weaves through the timeless melodies of Carole King, bringing a unique and soulful interpretation to the iconic singer-songwriter’s repertoire. Leah R.G. is a singer-songwriter in the Philadelphia area who has been playing and writing music for years, mostly under the radar. $18. Advanced Reserved Seating. $28. VIP Reserved Table Seating. $30. at the Door.
BYOB is welcome for adults for an additional $5. donation per drinker. Must be 21 to consume alcohol. Cups and ice provided.
Doors open at 7:00 pm. 7:30 show.

Local Event: Kelly Center - Kala Farnham - Carole King Tribute with Leah R.G.

Delaware County

Max Bennett

Philadelphia Metropolitan Area

Haverford-Havertown

Pennsylvania

Kelly Center - Kala Farnham - Carole King...

Kala Farnham
“I Feel the Earth Move: The Music of Carole King” is a captivating musical tribute led by the 18th Connecticut...

Kelly Center - Kala Farnham - Carole King Tribute with Leah R.G.

Montco Cultural Center Theater

Philadelphia Dance Theatre’s “A Philadelphia Nutcracker” Returns to the Montco Cultural Center Theater at Montgomery County Community College Blue Bell, PA 
Philadelphia Dance Theatre proudly announces the return of its beloved holiday classic, “A Philadelphia Nutcracker,” to the Montco Cultural Center Theater at Montgomery County Community College in Blue Bell, PA. This year marks the 26th season of the company’s signature production, featuring five in-person performances and one special sensory-friendly presentation.
Performances will take place on 
<ul><li>Friday, Dec. 19 at 7 p.m</li><li>Saturday, Dec. 20 at 1 p.m.</li><li>Saturday, Dec. 20 5 p.m.</li><li>Sunday, Dec. 21 at 1 p.m. (Sensory Friendly) </li><li>Sunday, Dec. 21 at 4 p.m.</li></ul>
With a cast of over 100 professional and pre-professional dancers, “A Philadelphia Nutcracker” offers a festive and family-friendly experience, perfect for creating cherished holiday memories. Choreographed by Artistic Director Joy Delaney-Capponi, the production features scenic backdrops byChristopher Fox and costumes by Joan Fox and Gina Shifferly. Set in the historic neighborhoods of Victorian Germantown and Chestnut Hill, this reimagined version of the holiday classic infuses local Philadelphia charm into each scene—from the elegant drawing rooms of the Thomas Mansion (“Clifford Park”) to the familiar slopes of Fairmount Park’s “Tommy’s Hill.”This season’s cast includes returning alumni Maggie Bucko, principal dancer with Hartford Ballet, as the Sugar Plum Fairy, joined by Daniel Cooke of Hartford Ballet as Cavalier. Floyd McClean of Philadanco performs as the Mouse King and Candy Cane soloist, and Charles Michael Patterson appears as Coffee and Snow King. Local dancers Rachel Koch (Ambler), Charlotte Rezelli (Philadelphia), and Ginger McIlvain (Philadelphia) will alternate in the role of Clara. “A Philadelphia Nutcracker” continues to sell out each year, enchanting audiences with its timeless story, dazzling choreography, and community spirit.
Tickets: $12–$62
Available at www.mc3.edu/tickets or by emailing BoxOffice@mc3.edu
More About Sensory Friendly Performance:
Sensory Friendly Performance In addition to its full-length performances, Philadelphia Dance Theatre will present a special Sensory Friendly Performance on Sunday, Dec. 21 at 1 p.m. This abbreviated presentation offers a relaxed, shush-free, and shame-free environment for audience members of all ages and abilities to experience this magical holiday tradition in a safe and comfortable atmosphere. Sensory Friendly Performances are designed to provide a welcoming and inclusive performing arts experience for individuals with autism, sensory processing disorders, or other physical, cognitive, or developmental differences, and for their families, friends, and caregivers. Philadelphia Dance Theatre and the Montco Cultural Center have made special accommodations to ensure that neurodiverse audience members feel welcome and supported. What Makes This Performance Sensory Friendly: ● Audience members are encouraged to be themselves—talking, vocalizing, or moving about is welcome. ● House lights will remain on at a low level throughout the performance. ● Some loud or startling moments have been modified for comfort. ● Fidget objects, sensory tools, and comfort items are welcome in the theater. ● Patrons may enter and exit freely as needed, with designated quiet spaces available for breaks. ● Family restrooms and wheelchair-accessible seating will be available. ● Social stories and preparation materials will be provided in advance to help audience members get ready for the experience. ● An adaptive dance class will follow the performance where patrons are welcome to participate to experience the joy of dance. ● Bedtime and Ballet is part of an offering to prepare patrons for the performance experience Sunday prior to the show. Just learn a bit about ballet and the story of the Nutcracker on Zoom

Local Event: A Philadelphia Nutcracker

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A Philadelphia Nutcracker

Philadelphia Dance Theatre’s “A Philadelphia Nutcracker” Returns to the Montco Cultural Center Theater at Montgomery County...

Jesse Loewy resides in Havertown PA and graduated from Haverford High School in 2016. For the past 14 years, Jesse has worked in the music industry as a freelance guitarist, bandleader, and musical director with consistent work in the Tri-State area, along with occasional national tours.
Katie Henry was born and raised in Vernon Township, New Jersey, and is a current resident of Philadelphia PA.
$25. Advanced Reserved Seating. $30. VIP Reserved Table Seating. $30. at the Door.
BYOB is welcome for adults for an additional $5. donation per drinker. Must be 21 to consume alcohol. Cups and ice provided.
Doors open at 7:00 pm. 7:30 show. 
Free Parking in Oakmont Municipal lot behind Kelly Center off Darby Road.

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Join us on Sunday, December 21, 4-5:30pm&nbsp; as we make beautiful Gingerbread houses (plus a few more Xmas-related yummies)!&nbsp; Just $35 (plus $2.10 sales tax) per crafter.&nbsp; Perfect for ages 6+.

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Visit Wayne Art Center through January 24, 2025&nbsp;and explore the work of nearly 200 artists from the Philadelphia area and from&nbsp;around the world in three outstanding new exhibitions!

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Ben Arnold rings out 2025 with an early evening New Years Eve show. Over by 10 pm. Be home (or at your next stop) before it gets crazy out there. <a target="_blank" href="https://benarnold.com/home" rel="nofollow">https://benarnold.com/</a>
Ben Arnold is a lifer. For decades, he's been creating his own version of amplified American roots music, broadcasting that sound from venues across America and Europe. He turns a new page with XI, a roots-rock record that finds the road warrior bridging the gap between personal insights and universal statements. Intimate one minute and anthemic the next, XI highlights just how wide-ranging Arnold's songwriting has become over the past quarter-century. "I laid myself bare with this record. There's relationships and compromise. There's places where you have to give up or give in. And there's places where you have success as well as failure," says Arnold, who signed a major-label deal with Columbia Records in the 1990s before embracing the freedom of hard-won independence during the decades that followed. Along the way, he also released albums with collaborative projects as diverse as US Rails and Pistol For Ringo, continuously exploring music from new angles, establishing himself not only as a solo artist, but as a bandmate, co-writer, multi-instrumentalist, producer, and educator, too. By the 2020s, he'd already contributed to more than 30 albums. When the Covid-19 pandemic brought everyday life to a halt, though, Arnold found himself stuck at home, unable to continue collaborating with others. Looking to make sense of an unsteady world, he dug into his craft — and into himself. "I wrote country songs, folk songs, love songs, Christmas songs, and songs based in my own socio-political frustrations," he remembers. Some tunes were written in his hometown of Philadelphia, whose long history of R&amp;B and soul music had inspired his past two records: Lost Keys and Sunday Morning Meltdown. Others were written in hotel rooms in upstate New York, where Arnold began traveling every month to visit his terminally ill mother. Songs like "Long Tall Shadow" and the Springsteen-sized anthem "Catch the Lighting" sprang to life during those bittersweet trips. "I was looking back on my past, measuring the distance between my younger life and where I'm at now, thinking about all the in-betweens," he says. While looking inward, he also wrote love songs like "All The Love In My Heart" — an elegant, wedding-worthy waltz, laced with pedal steel and upright piano — and the soulful "Cools My Rage." As Arnold took stock of the changes in his own life, the outside world continued to change, too. "My America" and "Not Fair" were written while political protests erupted across the country, inspiring Arnold to dig deep into his own thoughts of patriotism, pride, and social justice. He'd already written about national politics on albums like Sunday Morning Meltdown, but XI quickly became something different, with tracks like the New Orleans-flavored protest song "Build a Wall" sharing equal space on an album that also explored personal territory. Ever the traveler, Arnold headed to Los Angeles once restrictions lifted. There, he reunited with producer Shane Smith (his musical partner in the band Pistol For Ringo, as well as engineer of Los Lobos' acclaimed record Tin Can Trust) while simultaneously working on the East Coast with Barrie Maguire (The Wallflowers, Natalie Merchant, and more). What began as a casual recording session at Hetson Sound, the SoCal studio owned by Circle Jerks guitarist Greg Hetson, quickly turned into something more substantial, with Arnold assembling a band of longtime friends and collaborators from multiple different genres. Others contributed to the sessions remotely — including Pete Thomas, longtime drummer for Elvis Costello and the Attractions, who tracked songs like "Catch The Lightning," "Anywhere But Here," and "Peace, Love &amp; Understanding" (which found him warmly commenting, "I love this song! You know I played on the first one!?") from home. Back in Philadelphia, Ben and Maguire recorded songs like the gorgeously heartbreaking "My America" in a series of fast, inspiring takes, breathing new life into Arnold's timeless influences. "There's everything from Bob Dylan to Buddy Holly to Bruce Springsteen to a little bit of the Beach Boys in there," Arnold says of the record, whose arrangements make room for electric guitar, swirling organ, heartland hooks, and the warm, worn-in rasp of his own road-tested voice. "I used to feel nervous about honoring my influences, but I've become less on-guard about it over the years. It's all folk music. This form of American popular music has been handed down over generations, and we're all privy to it. We all own it." 
$35 Advance Discount Seating. $45 Advance VIP Table Seating. $40. at the door.
BYOB is welcome for an additional $5. donation. Must be 21 to consume alcohol. Drinkware and ice provided.&nbsp;
Doors open at 7:00 pm. 7:30 show.
Free Parking in Oakmont Municipal lot behind Kelly Center off Darby Road.

Local Event: Kelly Center - Ben Arnold and Friends New Year's Eve 

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Ben Arnold rings out 2025 with an early evening New Years Eve show. Over by 10 pm. Be home (or at your next stop) before it...

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