Arts & Entertainment

Review: Simple, Sassy ‘Marcel The Shell' Is The Family-Friendly Star Of 2022

The feature is a mix of a lot of things, while also being uniquely its own.

(Times of San Diego)

August 14, 2022

It’s fitting that during the same season Steven Spielberg’s E.T.: the Extra-Terrestrial (1982) is getting re-released, we also have a new movie with one of the most adorable, non-human characters on film since the friendly alien 40 years ago.

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Dean Fleischer-Camp’s Marcel the Shell with Shoes On, now in theaters, is my choice for best family film thus far this year, just behind Céline Sciamma’s Petite Maman. And it’s all because of a simple, sassy, animated seashell and a lovely voiceover performance by comedienne Jenny Slate.

In an Airbnb, a filmmaker/documentarian (played by Fleischer-Camp in a scripted version of himself) decides to film a stray, talking shell with a large eye, mouth and tiny shoes. The little object goes by Marcel (Slate) and he lives an ordinary life in the house, or as ordinary as life can be for a one-inch tall seashell.

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Along with Fleischer-Camp and Marcel’s grandmother, Connie or “Nan” (Isabella Rossellini), Marcel takes the world by storm via Fleischer-Camp’s YouTube channel, social media and local news.

Rosa Salazar and Thomas Mann play a dysfunctional couple who owned the house Marcel grew up in, and Lesley Stahl of CBS “60 Minutes” appears as herself and the host of Marcel’s favorite TV show.

Marcel the Shell originated as three short films (2010-14) by Fleischer-Camp and Slate — who were married at the time — and now excels with an official storyline and runtime. Like ET, Marcel just wants to be reunited with his family (or his “community,” as the shell calls them) with the help of a new friend.

The feature is a mix of a lot of things, while also being uniquely its own. The mockumentary style is clever because we see 90% of the story through Marcel’s POV and humans are almost always exposed peripherally. Fleischer-Camp’s meta input of casting himself and subtle referencing of his own marriage aren’t too distracting.

The setting has elements of Mary Norton’s children’s book The Borrowers (1952) and John Roberts’ Paulie (1998), but charms its way into viewers hearts through a new, modern take on social media attention and reminders of “the real world.” The use of stop-motion animation rather than CGI for Marcel, Connie and the other little creatures also makes the mood and atmosphere feel more timeless.

Along with an adorable, acapella cover of the Eagles’ “Peaceful, Easy Feeling” sung by the title character, Marcel the Shell with Shoes On is perfect for both families and adults this summer.


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