Dylan White Examines the Patterns of Love, Fear, and Privilege on Debut EP "Fronds"

Multi-instrumentalist and composer Dylan White makes his solo debut with Fronds – a lush, groove-driven EP that explores the repeating patterns of love and fear that shape human connection across lifetimes and generations. Rooted in jazz, soul, and funk, Fronds reflects both the intricate structure of nature and the resilient spirit of those who dare to break cycles of trauma and doubt.

“We’re surrounded by deep-rooted and mysterious patterns,” says White. “This album was inspired by those patterns – of both love and fear – that repeat themselves throughout a lifetime and across generations. As a nature boy, I’ve always been intrigued by the fact that repeating systems are the basis of all life.”

Across Fronds, White leans into the concept of iteration both musically and emotionally. The EP captures a wide network of collaborators who helped shape its textured, communal sound. “I cashed in all the favours that I could,” he laughs. “All of the musicians on this record are players that I’ve performed with for years. Their backgrounds span acoustic singer-songwriter, funk, soul, jazz fusion and everything in between.”

The EP’s collaborative spirit shines brightest on “Rags,” the defiant, joyfully funky centrepiece. Built around a whole-tone descending bassline, the track dismantles the tired myth of “rags to riches” with sharp wit and a grin. “It’s a joyful attack on murky and vain clichés like ‘pulling yourself up by your bootstraps,’” says White. “It rejects the ridiculousness, conceit, and delusion that we (especially white guys like myself) succeed because we ‘earned it’ and thoroughly enjoys poking fun at that idea.”

With its layered jazz harmonies, light-on-its-feet groove, and expressive performances from drummer Julian Psihogios and guitarist Anoop Isac, “Rags” balances playfulness with purpose. “Julian’s intense, blistering solo, paired with Anoop’s mysterious chords, really embodies that shift from humour to seriousness,” White says. “It’s cheeky, but it’s not cynical – it’s fundamentally optimistic.”